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X-WR-CALDESC:Events for Sana Musasama
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DTSTART;TZID=America/New_York:20211002T100000
DTEND;TZID=America/New_York:20220131T170000
DTSTAMP:20260427T165022
CREATED:20210930T033505Z
LAST-MODIFIED:20211006T141252Z
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SUMMARY:Behold
DESCRIPTION:ABOUT THE EXHIBITION  \nWelancora Gallery is proud to present BEHOLD\, featuring work by Oasa DuVerney\, Sana Musasama\, Komikka Patton\, Roberto Visani and Chris Watts from October 2\, 2021 – January 31\, 2022. Through personal and collective memories and lived experiences\, the exhibition examines alternative ways to interrogate notions of Blackness through work that is either devoid of the figure or\, where the figure is present\, the gaze is cued away from the body. \nABOUT THE ARTISTS  \nOasa DuVerney signals elements from nature\, including waves\, snakes and mountains to explore the ways in which Black power and Black bodies exist in contemporary society. Most of DuVerney’s work is social and political commentary that relates to her social status as a \nwoman of color and as a working-class person. Her works are mainly figurative drawings\, specifically graphite on paper. DuVerney received her B.F.A from the Fashion Institute of Technology\, and her M.F.A from Hunter College. She currently lives and works in Brooklyn\, New York. \nSelected exhibitions\, residencies and media include: BLACK POWER WAVE\, BRIC\, Brooklyn\, NY (2019); 2019 Women To Watch\, NMWA (2019); TV Guide Spring/Break Art Show\, United Nations Plaza NYC (2019); Something To Say\, Brooklyn Museum\, Brooklyn NY (2018); The Window and the Breaking of the Window\, Studio Museum in Harlem\, NYC (2016); The Brooklyn Biennial II\, BRIC\, Brooklyn\, NY (2016); Through A Glass Darkly\, Postmasters Gallery\, NYC (2012); Rush Philanthropic Foundation Artist Residency (2016)\, Smack Mellon Studio Artist Residency (2014-2015); LMCC Workspace Residency (2012-2013); Brooklyn Foundation Grant (2016); The Guardian UK\, UK (2019)\, The Independent\, UK (2016)\, Hyperallergic (2015\, 2016)\, The Guardian UK\,UK (2015)\, Palestine News Network (2013)\, and The New York Times (2012\, 2011). \nSana Musasama is an African-American ceramic and mixed-media artist based in New York City. Her work touches on themes related to tribal adornment practices in various indigenous cultures\, and the safety of women. In We were there\, 1993 from her Maple Trees series\, Musasama draws inspiration from the Maple Tree Movement\, which was started in the 1790s by a group of abolitionists. The group advocated ending the need for slave labor to fuel the sugar cane industry on West Indian sugar plantations\, by replacing it with syrup from maple trees. Made using various clay bodies that resemble trees with organic and bodily extensions of stone\, beads and moss\, the work is scaled to the human body ranging in size from 3.5 to over 5 feet.
URL:https://sana-musasama.com/events/behold
LOCATION:Welancora Gallery\, 33 Herkimer Street\, Brooklyn\, NY\, 11216\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211104T080000
DTEND;TZID=America/New_York:20211128T170000
DTSTAMP:20260427T165022
CREATED:20211006T142605Z
LAST-MODIFIED:20211006T143131Z
UID:23143-1636012800-1638118800@sana-musasama.com
SUMMARY:Survival Tools for the Age of Ultra Anxiety
DESCRIPTION:Survival Tools for the Age of Ultra Anxiety
URL:https://sana-musasama.com/events/survival-tools-for-the-age-of-ultra-anxiety
LOCATION:The Plaxall Gallery\, 5-25 46th Avenue\, Queens\, NY\, 11101\, United States
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230908
DTEND;VALUE=DATE:20231015
DTSTAMP:20260427T165022
CREATED:20230920T144452Z
LAST-MODIFIED:20230920T144553Z
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SUMMARY:(MOSTLY) WOMEN (MOSTLY) ABSTRACT PT. II
DESCRIPTION:Eric Firestone Gallery is pleased to announce the second iteration of (Mostly) Women (Mostly) Abstract\, a sweeping two-part exhibition across its East Hampton and New York City locations with a cross-generational group of artists. The exhibition focuses on abstraction and represents aesthetic conversations over time between contemporary artists and represented gallery artists and estates. \n(Mostly) Women (Mostly) Abstract shows how content is embedded in abstraction. The work on view reflects multiculturalism\, daily life\, and domesticity\, and employs references to sound\, language\, and place. The exhibition showcases artists who haven’t always operated in the center of the art world\, but who charted a deeply personal path\, and utilized experimental techniques\, materials\, and processes.  \nIn broad terms\, the exhibition considers the condition of “otherness” as manifest in abstraction\, in terms of ethnicity\, race\, gender\, and sexual orientation. The exhibition reflects Eric Firestone Gallery’s central mission: to examine the ever-expanding canon of Post-War painting and sculpture in New York. 
URL:https://sana-musasama.com/events/mostly-women-mostly-abstract-pt-ii
LOCATION:Eric Firestone Gallery\, 40 Great Jones Street\, New York\, NY\, 10012\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240223T080000
DTEND;TZID=America/New_York:20240428T170000
DTSTAMP:20260427T165022
CREATED:20241226T220740Z
LAST-MODIFIED:20241226T220740Z
UID:23406-1708675200-1714323600@sana-musasama.com
SUMMARY:Sana Musasama: Returning to Ourselves
DESCRIPTION:Sana Musasama is a ceramic artist based in Queens\, New York. Musasama received her BA from City College of New York in 1973 and \nReturning to Ourselves 2024 \nher MFA from Alfred University in 1988. She began traveling in the 1970s as a way to recover her own identity and cultural place. Clay was the geographical catalyst that brought her first to West Africa\, where she studied pottery with the Mende People in Sierra Leone (1974-75). She later ventured to Japan\, China\, South America\, and Cambodia. She has expanded her interests to tribal adornment practices in various Indigenous cultures. She is challenged by the concerns surrounding the safety of women\, specifically the rituals involving rites of passage\, female chastity and the “purification” of the female body.
URL:https://sana-musasama.com/events/sana-musasama-returning-to-ourselves
LOCATION:Everson Museum of Art\, 401 Harrison Street\, Syracuse\, NY\, 13202\, United States
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DTSTART;TZID=America/New_York:20250905T080000
DTEND;TZID=America/New_York:20251018T170000
DTSTAMP:20260427T165022
CREATED:20250911T141942Z
LAST-MODIFIED:20250911T141942Z
UID:23418-1757059200-1760806800@sana-musasama.com
SUMMARY:Raised Earth
DESCRIPTION:Raised Earth\nEric Firestone Gallery is pleased to announce its first solo exhibition of the internationally recognized ceramic artist Sana Musasama. The exhibition will be a dynamic installation of Musasama’s formative House series: vertically stacked ceramic sculptures\, like abstracted small-scale temples\, exploring multicultural connections to home and community. The work is inspired by the artist’s time living in adobe houses in West Africa in the mid-1970s\, her recurrent travel to Cambodia\, and time spent in the American West. \nHouse Series #15\, 2023ceramic \nThe slab-formed ceramics are multi-planar\, touched and textured structures with deep color areas and repeated oval shapes that can be read variously as eyes\, leaves\, or vaginal forms. They are etched with intricate sgraffito marks suggesting body adornment\, weavings\, flora\, and fauna. Elements extend from the planes: rings suggesting jewelry and grids like open baskets or seed pods. In her House series\, Musasama uses both earthenware and stoneware and accomplishes her vivid colors through various ceramic glazes\, often finishing her works with salt or soda firing to create exquisite surfaces that contrast with the red-brown clay she prefers. \nMusasama first began her House series in the late 1970s\, and they were the subject of a 1985 exhibition at the Studio Museum\, following her 1983–84 residency with the museum. She decided to revisit these works 45 years later\, creating what she called “siblings” to the original works in response to the isolation of 2020. Over the past two years\, the artist has worked across the globe to create about twenty significant new House sculptures. This will be the first time work from the two periods are joined into a solo\, survey exhibition.
URL:https://sana-musasama.com/events/raised-earth
LOCATION:Eric Firestone Gallery\, 40 Great Jones Street\, New York\, NY\, 10012\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260114T080000
DTEND;TZID=America/New_York:20260329T170000
DTSTAMP:20260427T165022
CREATED:20260102T191255Z
LAST-MODIFIED:20260102T191255Z
UID:23426-1768377600-1774803600@sana-musasama.com
SUMMARY:Re-Union: Syd Carpenter\, Martha Jackson Jarvis\, Judy Moonelis\, Sana Musasama\, and Winnie Owens Hart
DESCRIPTION:“Re-Union” brings together the works of Syd Carpenter\, Winnie Owens Hart\, Martha Jackson Jarvis\, Judy Moonelis\, and Sana Musasama. Each of these artists played a significant role in shaping American art–and the field of ceramics–during the late 20th and early 21st centuries. Syd Carpenter’s large-scale clay and metal works investigate the complex history of African Americans and farming\, from slavery to the present day. Winnie Owens Hart’s pioneering use of traditional African ceramic techniques and forms engage with contemporary issues concerning race\, identity\, and gender. Martha Jackson Jarvis’s monumental mixed media pieces explore African American and Native American spirituality\, ecological concerns\, and histories. Judy Moonelis’s intricate multimedia installations probe the intersections of art and science\, drawing inspiration from neuroscience and anatomy and relating the human body to a variety of architectural contexts. Sana Musasama’s constructions of glass\, organic materials\, and clay are rooted in her global activist and educational endeavors in women’s/human rights. 
URL:https://sana-musasama.com/events/re-union-syd-carpenter-martha-jackson-jarvis-judy-moonelis-sana-musasama-and-winnie-owens-hart
LOCATION:Frances M. Maguire Art Museum\, 50 Lapsley Lane\, Merion\, PA\, 19066\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260701T100000
DTEND;TZID=America/New_York:20270701T170000
DTSTAMP:20260427T165022
CREATED:20260102T191744Z
LAST-MODIFIED:20260102T191744Z
UID:23430-1782900000-1814461200@sana-musasama.com
SUMMARY:Clay Has Memory: Generational Knowledge from Africa
DESCRIPTION:Organized by Assistant Curator of African Art\, Perrin Lathrop\, the exhibit “Clay Has Memory” will be on view in the new PUAM’s first floor welcome gallery from July 2026-July 2027. It will trouble the boundaries between art and craft\, centering the contributions of Black artists\, especially Black women\, and inviting inquiry into the hierarchies that have historically relegated their creative labor to the realm of the anonymous and the undervalued. This grant will provide support for the exhibition as well as interdisciplinary opportunities and hands-on\, pedagogy-driven workshops for faculty across arts and sciences. 
URL:https://sana-musasama.com/events/clay-has-memory-generational-knowledge-from-africa
LOCATION:Princeton University Art Museum\, 63 College Rd W\, Princeton\, NJ\, 08540\, United States
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